Sandesham was born from a one-liner about how the political culture in our country affects the life of the common man. Thalayana Manthram was born from a theme that Sreeni (Sreenivasan) suggested – about the vanity of middle-class wives. It almost never begins with a story. There is no written rule about how you should write a script. We just completed the character development. How do you usually begin the script-writing process? We had hoped to get back together after a couple of years. We consciously took a break from each other after that film, so that both of us could make movies in our individual style. “We worked last in Yathrakkarude Sradhakku. They have made numerous films together though, such as Sandesham, Nadodikkattu, and Thalayana Manthram. It’s been 16 years since the two worked together. “We had to cut short our trip when we heard that Vineeth (Sreenivasan) had a baby boy,” he says. Anthikad has just returned from a sojourn with close friend Sreenivasan, the National Award–winning director-actor-screenwriter, to work on his next script.
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